Works
  • Jeri Eisenberg, Dogwood (White) No. 3
    Dogwood (White) No. 3
  • Jeri Eisenberg, Dogwood (White-Red Tips) No. 1
    Dogwood (White-Red Tips) No. 1
  • Jeri Eisenberg, Star Magnolia No. 5
    Star Magnolia No. 5
  • Jeri Eisenberg, Star Magnolia No. 6
    Star Magnolia No. 6
  • Jeri Eisenberg, Star Magnolia No. 8
    Star Magnolia No. 8
  • Jeri Eisenberg, Dogwood No. 2
    Dogwood No. 2
  • blurry dark magnolia photo on wax paper by jeri eisenberg
    Dark Magnolia No. 2
  • jeri eisenberg blurred magnolia photograph
    Dark Magnolia No. 4
  • Jeri Eisenberg, Star Magnolia No. 2
    Star Magnolia No. 2
  • wild fennel photo triptych on kozo paper by Jeri Eisenberg
    Wild Fennel No. 1
  • three panel waxed paper image of wild flower by Jeri Eisenberg
    Wild Fennel No. 2
  • yellow wild fennel blooms by Jeri Eisenberg
    Wild Fennel No. 3
  • four panel photo by Jeri Eisenberg of golden flower
    Wild Fennel No. 4
  • green and yellow acacia reeds photo
    Acacia No. 1
  • four panel Jeri Eisenberg photo of green stems
    Acacia No. 3
  • long grass and acaia diptych on kozo paper by Jeri Eisenberg
    Acacia No. 6
  • blurry leaves on tree image
    Seeking Shelter No. 6
  • triptych of dark clouds by Jeri Eisenberg
    Songs of the Sky, Revisited No. 1
  • blue sky and cloud paper panel picture by Jeri Eisenberg
    Songs of the Sky, Revisited No. 13
  • Jeri Eisenberg triple panel work on kozo paper of clouds
    Songs of the Sky, Revisited No. 6
  • waves photograph on waxed kozo paper by jeri eisenberg
    Warm Waters No. 13
  • crashing waves photo on four paper panels by Eisenberg
    Warm Waters No. 31
  • photo by jeri eisenberg of weeds on their sides
    Weeds No. 3
  • diptych photograph of lily pads by Jeri Eisenberg
    Altered Water Lilies No. 7
  • Jeri Eisenberg altered lilies on water photo
    Altered Water Lilies No. 5
  • red and green lily pad photo by Eisenberg
    Altered Water Lilies No. 1
Press
Overview

By obscuring detail, only the strongest brush strokes emerge: the images become sketches with light, literally and figuratively. They tend to float between there and not there, to dissolve into abstraction and reconfigure themselves back into recognizable form. 

-Jeri Eisenberg

Jeri Eisenberg is a photographer who works primarily with non-traditional and alternative photo based techniques. Based in upstate New York, her largescale, abstracted images of the treed landscape are captured with an oversized pinhole camera. Her best known and enduring series, A Sojourn in Seasons, consists of five chapters, four seasonal chapters in color and one in black and white. Pointing her lens on trees and foliage, she captures them as they are not often depicted. Eisenberg represses or subverts traditional photography's emphasis on the representational qualities of the medium, and emphasizes instead the medium's expressive nature. The images are segmented and presented as translucent panels of diptychs, triptychs or quads, printed on Japanese Kozo paper and infused with molten encaustic medium. As the images fade in and out of recognizable form, they echo our ephemeral grasp on life. As Eisenberg has said, "It is comforting to know that despite the loss of definition, essential qualities endure."

Exhibitions